
My rating: 0 of 5 stars
The introduction by G.K. Chesterton mentions unspecified faults with the book, which he however commends for fooling him about who the murderer was.
These faults, from my perspective, include simplistic prose mainly consisting of declarative sentences, some of which are comma-spliced, others of which are missing their question marks despite being phrased as questions. The paragraph breaks sometimes make it slightly confusing to work out who is speaking, since the author uses a break after a beat, even if the dialog that follows is from the person who was taking action in the beat.
It's a locked-room mystery, made less mysterious by the fact that in the discovery-of-the-body scene the amateur detective of the (unrealistic) amateur-and-professional pair opens the door of the murder room by manipulating the key, which is in the lock on the other side, with a pair of pliers, thus demonstrating how the murderer could have left and locked it behind them. However, nobody seems to pick up on this, and the police strip the entire room looking for secret passages.
I was finding it tedious, mainly because of the prose style, so I glanced at the ending to see what Chesterton was talking about, only to find that it breaks two of Ronald Knox's rules of detective fiction (rules 1 and 7, if you want to look them up and don't mind a big spoiler). So I didn't bother to finish it.
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