Tuesday, 27 October 2020

Review: Lucky

Lucky Lucky by R.H. Webster
My rating: 3 of 5 stars

This was OK, but not great. The romance was leisurely and clean; the mystery subplot wasn't that mysterious (I spotted the "surprise" criminal well before the characters did); the technology didn't make a whole lot of sense; there seemed to be elements that had either been incompletely cut out or not fully developed; and it needed another edit for typos. (I had a review copy from Netgalley, but the publication date is a couple of years ago, so I assume I have the published version.)

This is one of those space operas where most of the non-spacefaring technology is, if anything, a bit behind the current real-world state of the art, especially the information technology. Much is made of the heroine's ability to organize the ship's files by "alphabetizing" and making them searchable, but every filesystem available today can search files for keywords already. Printed books have been entirely replaced by electronic copies for environmental reasons, but instead of people having one device through which they access everything (such as the ones that already exist in real life), there are a profusion of "flex screens" that, while they appear to be reusable, also get handed round with single documents on them; people carry multiple ones of them. There's also a reference to a "printer" which never seems to get used, and it's not clear what it would be used for, given the other tech that's mentioned. There's no ship's AI even as good as Alexa, and if you want to talk to someone on the ship, you do an announcement over the general PA to the whole ship rather than calling their individual phone (which do exist). It's apparently cheaper to use oppressed humans than automation to do manufacturing. In general, I had the impression that the tech hasn't been thought through, and that the author maybe doesn't know much about current technology.

The colonised planets are fairly dystopian, corrupt and harsh, and society seems to have become more conservative (which could happen; such things come and go, but there's no real sense of a historical reason for it). One of the planets has a "magnetic east," which makes no sense (magnetism flows between north and south; east and west are based on the planet's rotation with respect to its star).

There's an odd distinction made between the captain of the ship and the commander of the ship; these are two different people. It's never clear what the captain does if he's not in command.

I could ignore all this, which was mostly background, but the plot itself gave a sense that either not everything has been revealed by the end, not all the elements had been fully developed, or big chunks had been cut out and left traces behind. For example, at one point someone references (deprecatingly) the ship commander's religion, but this mention is the only indication that he's religious; we never see any hint of it when we're in his viewpoint. The heroine falls asleep without turning out her bedside light; when she wakes up, it's off, and the person who came to wake her turns it on. The fact that this is mentioned seems like it should be significant, like someone or something turned it off, but nothing ever comes of it, and it ends up seeming like just an odd continuity error. There's some business about a deck plate that keeps coming loose in flight, and other issues with the ship's artificial gravity, but it never ends up getting properly explained. (There is some mention of the gravity being manipulated to hide things being smuggled, but it's not fully worked out or ever completely summarized.)

Then there are a lot of minor typos - the usual thing, small words missing from sentences or substituted for other small words, like "the" for "then" and the like, which are hard to pick up unless you're very vigilant, and some missed quotation marks. There's the occasional missing past perfect tense, too.

If it didn't have all these minor issues, it would still be kind of average and nothing special; entertaining enough, but bland and lacking much development. A solidly three-star book.

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