Goldenfire by A.F.E. Smith
My rating: 4 of 5 stars
I gave the first book in this series five stars, and was eager for the second. Although I didn't enjoy it quite as much, for reasons I'll explore shortly, it's certainly very good and I don't hesitate to recommend it.
Once again, it was impeccably edited; I didn't notice a single error, which is vanishingly rare. I'm lucky if I find one or two books in a hundred where I don't see any errors at all.
The first book managed to juggle seven point-of-view characters, by my count; gave them all distinct arcs; and pulled it off successfully. It also successfully wound a mystery plot, three different romance plots, and a thriller plot closely together, and paid them all off at the end. This book, I felt, was less successful, in part because the characters and plots were not so tightly wound together.
There's still a mystery/thriller plot, which involves an assassin whose identity (and gender) is withheld from the reader for most of the book, with several candidates presented. I did eventually guess the correct one, but not until late in the story. Paradoxically, this single main plotline (with a couple of minor plots involving characters' relationships and some coming-of-age) feels more diffuse than the multiple plot threads in the first book - partly, perhaps, because one of the participants is physically distant, out of the city that was the setting of everything in the first book, and with not much communication with the other viewpoint characters.
Of the seven viewpoint characters in the first book, two are now dead; one doesn't figure in this book (a pity, because I liked her, but I can see where she wasn't needed for this plot); one is still a significant character, but not a viewpoint character' and the remaining three still have viewpoints. In addition, there's the viewpoint of the assassin, and a group of trainees for the Helm elite guard, of whom, by my count, four are major characters, and two of those have viewpoints. There's also another viewpoint character, the training master, who appeared in a minor role in the first book, and another important character, the training master's partner, who doesn't have a viewpoint (mainly in order to preserve the mystery about who the assassin is). So, unless I've miscounted, still seven viewpoint characters, plus four other characters whose actions are significant to the plot but whose viewpoints we don't see into. True, one is the assassin, whose viewpoint we do see, but we don't find out which one until late, so that character almost counts as two: the assassin, who we hear from, but with minimal depth of information in order to preserve the mystery; and the assassin's cover persona, who we only see through the eyes of other characters.
Unlike the first book, where each character had a very different arc, here two of the ten important characters have very similar motivations, though they do resolve them differently.
Having more characters, some of whom don't have viewpoints, some of whom don't have much direct interaction with the others, and two of whom are very similarly motivated, yielded, for me, a less involving story than the first book, where we had deeper insight into a smaller number of characters, all of whose motivations and choices centred around a single set of events from different angles. I can see how this setup was necessary in order to create the mystery around the assassin's identity and provide some red herrings, and that was well done, but I still enjoyed it a little less.
I'm still keen for the third book, and glad to hear that it's now with the publisher. I'll be watching for it to come out.
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