Review: The Censor's Hand

The Censor's Hand by A.M. Steiner
My rating: 0 of 5 stars

I stopped reading this twice.

The first time, at maybe 15%, I went off and read several other books. I didn't feel much desire to go back to it, but I wasn't hating it, so I gave it another go. In part, I wanted to figure out why it was that I didn't care about any of the characters, and give the author a chance to change that.

I got to 64% before I realised why it was that I didn't care, and at that point I stopped.

The narrative follows three loosely connected main characters. One is in financial trouble and about to lose the family business, which would mean his ill mother, his wife, and their baby would have no means of support. You'd think this would make me care about him, but he's so hapless and hopeless, and makes such bad decisions, that I never did. His family seems to be more of a constraint on his actions than people that he cares deeply about.

The second is the first character's brother. He's a competent fighter, and ambitious to clean up their old neighbourhood by becoming a Censor, a kind of lawman. Again, a laudable goal, and you'd think I'd care, but he fumbles around, not showing a lot of focus or competence, serving an obviously heartless organization which considers him a tool, and not a particularly valuable one.

The third character is a woman student - the first woman student - at a magical college, at which the second character is also a student as part of an undercover investigation. They become involved. So why didn't I care about a woman who's making her way in a man's world by being better than the male students? Normally I'd love that story, but this character is so nakedly ambitious, and so uncaring about anyone other than herself, that I had no sympathy for her goals.

And that was the overall problem, I think. Nobody combined competence with idealism; everyone was missing one or the other, and nobody had any noticeable compassion or empathy. Faced with a cast of characters who didn't much care about each other, I didn't care about them either, and stopped reading with no regrets.

I received a review copy via Netgalley.

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Review: Abounding Might

Abounding Might by Melissa McShane
My rating: 4 of 5 stars

Melissa McShane crashes the superhero genre into Regency romance, by way of Napoleonic military adventure. The effect is... pleasing.

In part, it's pleasing because she has a sure hand on the wheel when it comes both to basic storytelling and the mechanics of grammar, punctuation, and word choice. There was nothing to distract or detract from my enjoyment of the characters, the plot, and the setting, and those elements were very well handled.

I much enjoyed the first in this series, Burning Bright, with a heroine who could control fire battling pirates in the early-19th-century Caribbean, and this volume is as good or better. Set in the British-dominated India of the East India Company during the Regency, it follows Lady Daphne, a teleporter ("Bounder") who is determined not to let her small stature or feminine nature prevent her from becoming famous for her skill. She lifts weights, since, to transport other people, she has to pick them up; and she chafes against, and often effectively circumvents, the restrictions imposed on her as a woman.

She does, at one point, make a less-than-sensible decision which leads to bad consequences, but it's a completely believable one (not just shoehorned in against character in order to complicate the plot), and she deals with the consequences with courage and determination. She's principled, intelligent, and in general exactly the kind of character I enjoy reading about. Her love interest, while perhaps a touch bland compared with her (since we're in her viewpoint throughout, we don't really get to see his inner life), is worthy and capable.

I wasn't sure I quite understood how the minor antagonist was disturbing the hero, though I do have a theory, which Daphne would realistically have been too naive to think of. Apart from that, everything was clear, and I didn't spot any plot holes or obvious historical gaffes.

A very sound effort, and I believe I'll pick up Book 2 and watch out for Book 4, if there is one. I received both Book 1 and Book 3 via Netgalley for purposes of review.

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Review: Masked

Masked by J.D. Wright
My rating: 3 of 5 stars

I've been in the mood for superhero fiction lately, but it's hard to find good stuff. Most of it is poorly edited and not especially well executed, and I'm afraid this one isn't an exception.

At first it got the Randy Jackson reaction: It was just OK for me, you know, dogg? I could have overlooked most of the issues - even titanium not being a good conductor of electrical blasts, although the same electrical blasts were destroying creatures made of rock, and even the gradual drift from third person limited into more and more headhopping - but what dropped it down to three stars was the implausible stupidity of the characters.

So let's say you have important information about a wanted supervillain - who he is, that he's even still alive, that kind of thing. And let's say that this supervillain, if not stopped, is going to kill more people, like he already has several times. And let's say that you have contact with a highly effective organisation that has much better resources than you do, many trained agents with lots of experience, and you're a group of late-teenage supers just starting out. And you have no reason to expect that there will be any negative consequences to telling this organisation about this villain, who is, again, killing people and needs to be stopped.

What do you do? Well, of course you agree not to tell them, and to go after him yourselves, and none of you even questions that this is the right thing to do in the circumstances.

Nope, sorry. Blatant stupidity in the service of setting up a sequel gets your sequel left unread.

Apart from that, it was, as I say, OK. A bit more detail about the teenage sex than was needed, maybe, but generally average. There were two black characters, both of whom were tech wizards, which seems to often be the lot of black supers (think John Stewart, John Henry Irons, Cyborg and his father...). It's interesting how this trope, which theoretically is about black people being intelligent, in practice often works out as giving them a subsidiary, supporting role in which they're not expected to protagonise or to need a character arc (which is the case here).

Maybe that's improved upon in the next book. I'll never know, because that one moment of supreme stupidity put me off reading it.

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