Monday, 18 July 2022

Review: What Song the Sirens Sang

What Song the Sirens Sang What Song the Sirens Sang by Simon R. Green
My rating: 3 of 5 stars

This series, now that I've read three of them, reveals that each book is written to the same formula.

There's a heist, which is fine; that's what I came for. But it's a bit linear.

The thief who has stolen the identity of master thief Gideon Sable is less clever and certainly less charming than he thinks he is.

(view spoiler)

People who seem like they're antagonists turn out not to be, and this is a bit of a let-down.

Rich, fashionable people are just the absolute worst and deserve a horrible death.

A number of people (who deserve it) receive a horrible, gory death that's thoroughly described, which is a trademark of the author's books in general.

Overall, it's not a formula that I love tremendously, and although it's well executed, it didn't appeal to me enough to get onto my Best of the Year (as the first book did) or even to get four stars without a Best of the Year spot (as the second book did). Nor will I be following the series any further. I was looking for more than it delivered.

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Tuesday, 12 July 2022

Review: A Coup of Tea

A Coup of Tea A Coup of Tea by Casey Blair
My rating: 4 of 5 stars

Enjoyable, despite a few (sometimes surprising) flaws.

It's presented as "cosy fantasy," implying that the stakes, while important to the main character, may not be "important" in any larger sense. And at first, that's what we get: a princess renounces her position and family in order to figure out who she is when she isn't letting everyone else define her, flees to the other end of the country, and (by happy coincidence, which fortunately was the only use of this plot device) ends up with a job at a tea shop.

It turns out that her extensive education in etiquette includes the Tea Ceremony, so she gets the idea of attempting to become a tea master. There are tea shop scenes, a sweet low-key romance, a cute cat, other women that she starts to befriend, and interactions with her boss where she uses her emotional intelligence to partially compensate for her extremely sheltered upbringing. (Among the several well-judged telling moments is one where she reflects that she knows the history and all the political wranglings involved in the design of each coin of the realm, but has never actually had occasion to use one.)

So far, it feels like one of those Japanese manga about a young woman in a service vocation largely just dealing with day-to-day life (especially since her name sounds Japanese, plus tea ceremony). As the story goes on, though, the stakes get higher: there's oppression going on against a refugee group (the term "structural inequality" gets thrown around a lot) and maybe the ex-princess can do something about it, if she risks everything?

The setting, unfortunately, is of the scenery-flats variety. I felt it was only just barely worked out enough to enable the plot. For example, there's never any definition of what magic can and can't do or how it works, enabling it to do whatever it needs to, and to provide analogues of contemporary technology like fridges, and also a train which seems to only exist so that she can get across the country in a day. There are occasional intrusions of right-now-this-minute US liberal concepts, like the aforesaid "structural inequality", without any attempt to make them feel organic to the setting. It feels like it's mashed up out of bits of traditional Japanese and contemporary American culture, with some on-the-fly fantasy elements papered hastily over the seams.

In the pre-publication copy I got from Netgalley for review, the editing is mostly good, apart from occasional missing words in sentences and a few surprisingly basic homonym errors. Hopefully they will be fixed before publication.

Setting aside these minor flaws, the character work is good, the plot is well constructed, there's an abundance of heart, and the occasional brief philosophical reflections actually have some depth to them. That last point would usually get a book up to five stars for me, but the rather shonky worldbuilding drags it down to the silver tier of my Best of the Year. That's still a recommendation.

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Review: Wondering Sight

Wondering Sight Wondering Sight by Melissa McShane
My rating: 4 of 5 stars

This is the first Melissa McShane book I've read that doesn't (quite) make it to my Best of the Year list, and it's entirely Sophia's fault.

Sophia, the heroine, has a habit of concealing things from and also outright lying to her friends; getting pridefully upset and refusing help; taunting the dangerous psychotic who is her antagonist; and making bad decisions in general. She is, in fact, bordering on being too stupid to live.

This is particularly a problem because she participates in a romance subplot, and I have this quirk where I need to find both parties to a romance subplot admirable in order for it to work for me. The hero is fine - although, because we don't get his POV, he remains a bit undeveloped; he's your basic reliable, competent, hard-to-read hero. I find those work better for me when I get a bit of their underlying insecurity by being in their viewpoint. But it felt to me like his attraction to Sophia was driven by the plot rather than being organic, because she treated him badly and made, as I say, a long series of poor decisions.

She is highly competent at what she does, a combination of a kind of clairvoyant dreaming and psychometry, though she's foiled for a long time by a rival dreamer who is confusing her dreams and preventing her from getting the evidence she needs in the mystery that's the heart of the plot. She's accused a nobleman of embezzling from the War Office, but hasn't been able to prove it, and was quietly dismissed from her position with the War Office supporting the fight against Napoleon in the Peninsula as a consequence. She now wants revenge against him, and is driven to self-destructive lengths in order to get it. The try-fail cycles of the plot were generally good, though the way in which she eventually got around the method the villain was using to block her (with a minion who was capable of holding several incompatible intentions in his mind at once, and picking one at the last minute when it was too late for her dreams to predict the outcome) made no sense whatsoever. (view spoiler)

The series imagines a Regency Britain in which people have various psychic powers, and in which women who have these powers, even aristocratic women, are permitted (almost required) to use them to work in the service of the crown. This creates a sometimes jarring difference from our world's history in terms of the roles and behaviour allowed to women of the upper classes. The powers themselves are not clearly described in the text, and even though I'd read at least one of the books in the series before and had a head start, it took me a while to get up to speed with what the names of the powers meant and how they worked, based on what we were shown. "Show, don't tell" is good writing advice, but it's possible to confuse your reader by dropping in technical terms that are familiar to people in the setting but not to the reader and only gradually demonstrating what they mean. I wouldn't have minded a couple of paragraphs of exposition early on.

All in all, not a great Melissa McShane, though there's still some space between "not great by Melissa McShane's standards" and "bad". I was entertained, but I wanted it to be slightly better executed and for the heroine to be more mature.

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Monday, 27 June 2022

Review: Signal to Noise

Signal to Noise Signal to Noise by Silvia Moreno-Garcia
My rating: 3 of 5 stars

Reviewing the reprint from Solaris, which I received as an e-arc via Netgalley. There may be changes between what I read and what is finally published; I hope one of them is to fix the vocabulary error "hierophants" for "sycophants," and another is to remove the numerous coordinate commas between non-coordinate adjectives. Otherwise, apart from the odd slightly off turn of phrase that is probably because the author is not writing in her native language, the writing is highly capable.

I've read a couple of Moreno-Garcia books that I very much loved ( The Beautiful Ones and Gods of Jade and Shadow ), and one that didn't work for me and that I abandoned partway through ( Mexican Gothic ). The ones I loved pulled off the move I call the Glorious Ending, where things seem to be going inevitably downhill, because people, but then someone does a truly loving and wise thing and turns the looming tragedy into triumph. The one I didn't love was, I think, the wrong genre for me (the Gothic novel). I found this one closer, unfortunately, to Mexican Gothic than to the other two; it's an 80s-nostalgia book, a very-into-music book, a coming-of-age novel, and features a protagonist who is dealing with her pain by shoving it onto other people, none of which endeared it to me. I did finish it, though.

I grew up in the 80s, though I'm about seven years older than the main characters in this book; they're 15 and at high school in 1989, and I was in my last year at university by then. I wasn't into pop culture, and certainly not popular music, in the 80s, either, which makes me an atypical 80s kid and also means that 80s nostalgia properties don't connect with me all that well. A lot of the music referenced here is in Spanish, as well, since the story is set in Mexico City, and I don't have a frame of reference for it at all. I know some of the better-known English-language songs, like "A Whiter Shade of Pale," but the thing about very-into-music books is that the things that are so evocative for the characters don't necessarily translate for the reader unless that reader is also into the same music and in the same way. The title of a song is just a series of words if you don't have any emotional or cultural context for it, and because the music is so central to the main character, it carries a lot of meaning for her - but little or none for me.

The evocation of the setting is otherwise rich and powerful, I assume because the author is writing from her own experience. There's a decent amount of skill shown, too, in the dual timeline, 1989 and 2009, in the same setting with some of the same characters; a young woman who has escaped from Mexico City to work in Europe as a computer programmer comes back for her father's funeral and has to face up to what happened 20 years before, including a betrayal that is teased for some time before being revealed, which makes sense out of so much of what has gone before.

Unfortunately, though, I didn't get from this book the full Glorious Ending that I got from a couple of the author's later works. The ending is slightly more hopeful than everything preceding it has necessarily prepared the reader for, but only slightly, and I can't help cynically wondering if the relationship that's tentatively (re)formed at the end is doomed by the fact that, honestly, the main character is not well equipped for loving relationships by either nature or nurture.

These are alienated characters who are mostly dealing badly with the disappointments of life (with the exception of the female best friend, Daniela, who, while a bit spineless, genuinely enjoys a relatively conventional life and finds fulfilment in it), and who are, as teenagers, striving earnestly for outcomes that would not actually make them happy and are a bad idea, by means that will cost them more than they realize. As a matter of personal taste, I don't enjoy following such characters, and that's reflected in my low rating for the book.

This is one of those cases where the execution is good, but the book is just not for me.

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Tuesday, 21 June 2022

Review: The Greater Trumps: A Novel

The Greater Trumps: A Novel The Greater Trumps: A Novel by Charles Williams
My rating: 4 of 5 stars

This is a Charles Williams novel, which means it's completely unlike anything written by anyone else (even That Hideous Strength , which is sometimes, with some justification, described as a Charles Williams novel written by C.S. Lewis).

I read it first while at university in the late 1980s; a friend owned most of the novels in paperback, and lent them to me. This version from Open Road is, not typically for them, quite a clean scan, with only a couple of minor errors.

Williams wrote books that these days would be described as "cosmic," based on his own mystical Christian theology combined with occult symbolism, and nowhere is this more marked than in this book, based on the Tarot. The premise is that the original Tarot deck has turned up in a collection of rare old card decks left to a middle-aged, fussy, irritable Englishman by a friend of his. By coincidence (which I assume we are supposed to conclude was orchestrated by cosmic powers), his daughter is engaged, or something very similar to engaged, to a man of Roma descent, whose grandfather is the keeper of a set of magically animated three-dimensional images of the Tarot that was separated from the deck many years before. The young man wants to reunite them, and invites the cards' new owner, the daughter, and the owner's saintly maiden sister to his grandfather's house for Christmas.

When I say "saintly," she is saintly in very much a mystical, meditative way, not at all in the sense of being dreamy, but in that she is just herself and is always perfectly content with whatever happens and completely surrendered, in a quiet and unspectacular way, to the will of Divine Love. It's difficult to convey exactly what she's like; Williams does it brilliantly and memorably. She is, at the same time, very ordinary and completely extraordinary, and in many ways she is the heroine of the story, except that her niece Nancy is also, in a different and more active way, the heroine of the story.

English books of the early 20th century often have these middle-class characters who are more or less lacking in self-insight and more or less ridiculous as a result, who get mercilessly mocked by the author for it; that's not what Williams does, though it at first looks as if he might. Mr. Coningsby, for example, the owner of the cards, is a man of very limited insight, but he's not actually a bad person, or cowardly, or despicable, when it comes down to it. Even Ralph, his son, who at first seems like one of the vague English wasters so often encountered in P.G. Wodehouse, shows strength of character when it's needed.

And it is needed, because much of the last part of the book is an extended sequence of trials, beginning with a conjured snowstorm, in which the various characters battle with and against the power of the Tarots for what they value - which is ultimately each other, or at least human connection. The language is heightened, almost poetic, and a few times we get sentences that go on and on for a page or more because the author is so caught up in his own attempts to describe something that is, ultimately, indescribable.

It's a rich meal. There's a lot of depth of thought behind it, which isn't dished out in expository lumps but alluded to in the context of the events; you'd probably have to read Williams' nonfiction works to really get to grips with all he was talking about, and even then you might not grasp it. But it's also a tension-filled, compelling story, and succeeds very well at that level, and also at the level of depicting ordinary human characters with flaws who are nevertheless and at the same time also creatures of great cosmic dignity and importance. I'm not aware of anyone writing today who can come anywhere close to it; contemporary "cosmic" fiction tends to be philosophically shallow, New Agey and amateurishly written, in my experience, though perhaps that's sample bias.

It's rich enough that I wouldn't want to make a steady diet of it, and I won't jump straight into another Williams (I bought a few of the ebooks when they were on sale some time ago). But it definitely belongs on my Best of the Year list for 2022.

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Thursday, 16 June 2022

Review: Joseph Andrews, Volume 2

Joseph Andrews, Volume 2 Joseph Andrews, Volume 2 by Henry Fielding
My rating: 4 of 5 stars

A genial comedy with a feeling of genuine fondness for its central characters, including the absurdly disheveled, forgetful, and sometimes too easily provoked clergyman who is the title character's mentor and friend. It makes full use of coincidence to first create, and then resolve, tension, but it also uses human agency to the same purpose, giving us villains to boo in the form of a venial and dissipated squire and his sinister henchmen, and getting the heroes through a number of adventures with the help of good-hearted people they happen to encounter, along with a number of ill-tempered and ungenerous characters and several other outright rogues.

Part of the satire, I think, is that everyone is a bit exaggerated, like a caricature in a political cartoon. And yet what Fielding is exaggerating in human nature is familiar to us even today, and certainly would have been familiar to his readers, so that his characters have a weight and heft to them. They're simultaneously types and memorable individuals.

Fielding is also well known as being one of the founders (along with his brother) of the Bow Street Runners, Britain's first properly constituted police force, and as a magistrate who sought to apply the law fairly and justly, and I was reminded of these facts when reading about the arbitrary application of the law by ignorant country justices of the peace, who could send poor people to be imprisoned or whipped for minor infractions with no recourse if egged on by more powerful people who had an agenda. Also, when reading about the criminals who were, apparently, often at large preying on travellers, and seldom caught and punished.

The author uses his authorial powers to make everything come out well in the end, though, and leaves us with a satisfactory conclusion for our heroes. While the long eighteenth-century sentences can be a bit challenging if you're reading it after a tiring day, it's not nearly so convoluted as other writing of the time, and I generally followed it easily and enjoyed both the journey and the people I encountered on it.

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Review: Mary Bennet and the Beast of Rosings Park

Mary Bennet and the Beast of Rosings Park Mary Bennet and the Beast of Rosings Park by Joyce Harmon
My rating: 4 of 5 stars

I read this one out of series order, having picked it up on a BookBub sale after reading the first. I've been waiting to get the second book on sale, but, in the middle of a book drought, finally decided to just go ahead and read it. It sounds like the second book is quite an adventure, and I still do plan to get it at some point.

Here we see Mary Bennet (the middle sister from Pride and Prejudice) staying with her cousin Mr. Collins at his vicarage beside the great estate of Rosings, as she recuperates from magical exhaustion occasioned by the plot of the second book. This third one is a mystery, with sheep (and eventually a person) being killed and mutilated in the area, seemingly by something that may or may not be the legendary beast that inhabits the woods of Rosings Park. Mary uses her magical skills and, even more so, her intelligence and courage to eventually solve the mystery, and along the way we get quite a different perspective on young Anne de Bourgh, and even on prosy Mr Collins and his patroness, Anne's mother Lady Catherine. It's not a wild thrill ride of a plot; there's still a lot of Regency visiting and conversation and marital maneuvering, aimed presumably at the fans of the source material, and there's seldom any sense of urgency, but there are a couple of relatively tense scenes, especially the climax.

The copy editing issues are individually minor, but there are a lot of them (more than 50): mispunctuated dialog, missing quotation marks or (occasionally) periods, missing commas, misplaced apostrophes, small words accidentally substituted for other similar words, errors of tense and number, and a couple of homonyms. This is one reason I'm not prepared to pay $5.99 USD for these, the other reason being that, while they're enjoyable, they're not anything like twice as good as plenty of other books that cost half that much.

Overall, it earns four stars as a pleasant read, but doesn't make it onto my Best of the Year.

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